|
Acquired Taste
|
Emanuele |
Arielli |
Gusto acquisito
|
Goût acquis |
Erworbener Geschmack |
Gusto adquirido |
|
Aesthetic Supervenience
|
Alfonso |
Ottobre |
Sopravvenienza estetica
|
Survenance esthétique |
Ästhetische Supervenienz |
Superveniencia estética |
|
Aestheticization
|
Gioia Laura |
Iannilli |
Estetizzazione
|
Esthétisation |
Ästhetisierung |
Estetización |
|
Aesthetics of Electroacoustic Music
|
Giacomo |
Fronzi |
Estetica della musica elettroacustica
|
Esthétique de la musique électroacoustique |
Ästhetik der Elektroakustischen Musik |
Estética de la música electroacústica |
|
Aquaintance Principle
|
Filippo |
Focosi |
Principio di familiarità
|
Le principe de fréquentation |
Prinzip der Bekanntschaft |
Principio
de familiaridad |
|
Artification |
Roberta |
Dreon |
Artificazione
|
Artification |
Verkunstung |
Artificación |
|
Atmosphere |
Tonino |
Griffero |
Atmosfera
|
Atmosphère |
Atmosphäre |
Atmósfera |
|
Brand |
Emanuele |
Arielli |
Marca, marchio
|
Marque |
Marke |
Marca |
|
Depiction |
Michele |
Di Monte |
Rappresentazione figurativa
|
Représentation figurative |
Bildliche Darstellung |
Representación pictorica |
|
Disgust |
Marco |
Tedeschini |
Disgusto
|
Dégoût |
Ekel |
Asco |
|
Empirical Aesthetics |
Emanuele |
Arielli |
Estetica empirica
|
Esthétique empirique |
Empirische Ästhetik |
Estetica empirica |
|
Evaluation |
Gianluca |
Consoli |
Valutazione
|
Èvaluation |
Bewertung |
Evaluación |
|
Fake |
Michele |
Di Monte |
Falso
|
Contrefaçon |
Fälschung |
Falsificación |
|
Grotesque |
Maddalena |
Mazzocut-Mis |
Grottesco
|
Grotesque |
Grotesk |
Grotesco |
|
Grotesque |
Claudio |
Rozzoni |
Grottesco
|
Grotesque |
Grotesk |
Grotesco |
|
Gustatory Aesthetics
|
Nicola |
Perullo |
Estetica gustatoria/gustativa/del gusto
|
Esthetique du goût |
Ästhetik des kulinarischen Geschmacks, Ästhetik des Essens |
Estética gustatoria |
|
Hyper-realism |
Pietro |
Conte |
Iperrealismo
|
Hyperréalisme |
Hyperrealismus |
Hiperrealismo |
|
Iconosphere |
Michele |
Di Monte |
Iconosfera
|
Iconosphère |
Ikonosphäre |
Iconosfera |
|
Improvisation |
Alessandro |
Bertinetto |
Improvvisazione
|
Improvisation |
Improvisation |
Improvisación |
|
Neokitsch |
Andrea |
Mecacci |
Neokitsch
|
Neokitsch |
Neokitsch |
Neokitsch |
|
Origins of Art |
Alessandro |
Nannini |
Origini dell’arte
|
Origines de l’art |
Ursprung der Kunst |
Origines del arte |
|
Ready-made
|
Leonardo V. |
Distaso |
Ready-made
|
Ready-made |
Ready-made |
Ready-made |
|
Seduction/Mating |
Alessandro |
Nannini |
Seduzione
|
Seduction |
Verführung |
Seducción |
|
Simulation
|
Gianluca |
Consoli |
Simulazione
|
Simulation |
Simulation |
Simulación |
|
Skin
|
Francesco Paolo |
Campione |
Pelle
|
Peau |
Haut |
Piel |
|
Synaesthesia |
Andrea |
Gatti |
Sinestesia
|
Synesthésie |
Synästhesie |
Sinestesia |
|
Virtual |
Roberto |
Diodato |
Virtuale
|
Virtuel |
Virtuell |
Virtual |
|
Visual Studies of Science |
Linda |
Bertelli |
Studi di cultura visuale delle scienze
|
Études visuelles des sciences |
Visual Studies of Science |
Estudios visuales de la ciencia. |
|
Witness/Testimony |
Dario |
Cecchi |
Testimone/testimonianza
|
Témoin/témoignage |
Zeuge/Zeugnis |
Testigo/testimonio |
